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Cubism, perhaps the seminal movement for the arts of the twentieth century, was also one of the most complex. David Cottington describes how the artistic avant-garde, and Cubism within it, were formed by that turbulent and complex moment before the outbreak of the war in 1914. Analyzing paintings by Picasso, Braque, Robert and Sonia Delaunay and their associates, he traces their exploration of the convention of pictorial representation in the interest both of reflection on the experience of modernity, and of critical resistance to its seductions.
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